CLOTHES had been flung throughout the room with reckless abandon after a evening of ardour with womanising Aerosmith frontman Steven Tyler.
But songwriter-to-the stars Holly Knight’s romp with rock royalty would quickly come to a shuddering halt after she by chance set off her residence’s panic alarm.
New Yorker Holly, 66, who wrote Eighties hits together with Tina Turner’s The Finest, Pat Benatar’s Love Is A Battlefield, Patty Smyth’s The Warrior, Bon Jovi’s Stick To Your Weapons and Aerosmith’s Rag Doll, is now releasing inform-all memoir I Am The Warrior about her years of intercourse and rock ’n’ roll in the music business.
She additionally reveals trysts with Kiss singer Gene Simmons, Each Time You Go Away coronary heart-throb Paul Younger and rocker Daryl Corridor, tells how she rebuffed a Rod Stewart chat-up line and recollects what it was prefer to tour with What’s Love Acquired To Do With It diva Tina — for whom she wrote 9 songs.
Laughing, she tells Cialcan: “My entire life is surreal, I must pinch myself and realise it wasn’t another person. The Eighties was considered one of the final a long time of extra earlier than penalties.
“I wasn’t simply a groupie placing one other notch on my belt, I was residing, and also you’re purported to do loopy issues while you’re younger.


“I don’t really feel embarrassed, I personal it. It was enjoyable. All of my shut girlfriends love listening to about these things and stated they might have carried out the identical.”
‘Uneventful threesome’
Detailing her months of flirting with Aerosmith’s notorious ladykiller Steven, Holly tells Cialcan about “forgetting he was a rock star” throughout 4-hour cellphone calls and considering of him as simply “an fascinating and candy man”. But issues turned sexual, she writes in her e book, after he revealed a dream the place she had “shaved a sure half” of her physique, leaving it as “bald as an eagle”.
Whereas engaged on Aerosmith’s 1987 hit Rag Doll, Holly was shocked when the US rockers employed strippers to “play bongos on their naked asses” for the recording, she writes. The unknown girls received a nod on the album sleeve with the be aware “Because of the Flesh Bongos”.
After taking Holly out one evening then strolling her again to her lodge, she tells Cialcan, Steven planted “a huge, fats, juicy kiss” on her lips but she pulled away, fearing injury to her profession. She says: “It was not a lot his method that made him a good kisser but bodily attributes. He has huge, fats lips. Whereas I turned him down that evening, months later I initiated issues.”
The fling occurred at her residence in LA, when a jam session ended with them heading upstairs. Holly writes: “The reality is that sooner or later after we had been making music in my studio I knew we might find yourself on my bed room ground. It was inevitable, given our intense like for each other. Steven is a scrumptious kisser. As for the relaxation, you’ll have to make use of your creativeness.”
But whereas main Steven as much as her room, Holly by chance kicked a field containing her panic alarm, which then silently despatched out a misery sign for 45 minutes. She writes: “All of the sudden, via my open bed room door, I noticed beams of flashlights bouncing on my partitions.”
It’s considered one of the “surreal, pinch-me moments” of her life she likes to recount to girlfriends. But after that evening, she tells Cialcan, she wouldn’t see Steven for 20 years, and whereas she wonders what may need been, she “trusts the universe’s plan”. She provides: “If I had received with him possibly I would have needed to drive a stake via his coronary heart? He was notoriously promiscuous.”
She writes that it was considered one of many adventures after discovering her “tribe” as a songwriter and musician. She additionally sang in Eighties pop rock group Machine, performed keyboards with Spider and launched her personal self-titled album in 1988.
Her profession alternative nervous her mother and father, each hospital employees, and her grandparents, each surgeons, Jews who fled Nazi Germany in 1935. Holly first performed piano at age 4 and located rock ’n’ roll music an escape from her “risky” mum. By 15, she ran away from residence with a 20-12 months-outdated musician.
After years on the highway, that relationship ended and it was via attending gigs that she fell into the musical crowd, earlier than becoming a member of bands.
She writes that her huge break got here after being launched to Kiss guitarist Ace Frehley — with whom she had a “fairly uneventful” threesome — and he or she later performed keyboard with the band throughout a recording session. She writes of superstar trysts: “I was curious if intercourse with a rock star felt any totally different than with mere mortals. Fact be informed, it wasn’t higher and it wasn’t worse.”
She additionally had run-ins with Gene Simmons, who had an “annoying method of staring up and down my physique” and reusing a chat-up line after attempting it on her, she writes. She describes him as “Dracula”. They bonded when Holly “stumped” him with a query about 1977 Italian horror movie Suspiria after he stated he knew all the things and was a “human encyclopedia”.
One evening, their friendship turn out to be one thing extra when she frolicked in his excessive-rise Manhattan condominium and so they slept collectively.
She writes: “We each needed what we needed in the second and, with out a lot forethought, ended up in his large mattress.
“It was pretty missing for me and I’m positive for him. It’s one thing I chuckle and cringe about now as a result of I’d already slept with Ace. Rock ’n’ roll. Lust. Alternative. Silly younger puppies.”
The Eighties had been an period of huge hairstyles, larger egos, and the mantra was “work arduous, play more durable” — but with some musicians, the work hardly ever started.
Whereas writing lyrics for Rod Stewart’s 1986 hit Love Contact, Holly recollects being unable to get the singer to focus and assist.
She writes: “As a substitute of contributing concepts, Rod stored cracking jokes and saying it was time to take one other break. The sort that concerned your nostril.”
Thankless and poorly paid
As they received “increased and better” in Holly’s residence studio, she writes, she grew annoyed and ended the collab as a result of he hadn’t contributed something.
She tells Cialcan: “It was the Eighties, it was both intercourse, medication and rock ’n’ roll — and it wasn’t two of them, we had been all placing stuff up our nostril. I needed him to cease horsing round and I’m shocked I had the balls to inform him I would end it alone.”
But medication weren’t Rod’s solely distraction — Holly later spurned his flirty advances. Whereas with her in his limo, he requested, “Do ya assume I’m attractive?” — the title of his 1978 track. Holly writes how she replied: “You’re not my sort and I’m not yours. I’m not blonde and I don’t have lengthy sufficient legs.”
They by no means did sleep collectively and their friendship soured when Rod stated his 1986 monitor Love Contact, which Holly co-wrote, was “considered one of the silliest” he had sung. She replied it was his most profitable in six years, making No6 in the US.
She tells Cialcan that years later, at the premiere of Tina: The Tina Turner Musical in London’s West Finish, they made up, with Holly describing him as “simply as enjoyable and mischievous” as ever.
But her work was usually thankless and poorly paid, whereas a few of her artists went on to win Grammy Awards.
Amongst her hit songs had been Tina Turner tracks (Merely) The Finest, Invincible and Higher Be Good To Me, which led to a lengthy friendship — born in an aptly rock ’n’ roll method.
Moments after the pair met, in a limo close to Heathrow Airport, she writes, Holly flashed her “bodacious tat-tas” at the singer — after being requested: “Holly, do you might have good tits?” In a foreword for Holly’s memoir, Tina acknowledged The Finest was a “track that carried me round the world” and was “a uncommon treasure — a common anthem”. She wrote: “Holly, I’ve stated it to you earlier than, and say it once more, you might be merely the finest.”
In 1988 Holly was voted Finest Songwriter in a Rolling Stone journal ballot, and by 2013 made the Songwriters Corridor Of Fame.
Holly feels satisfaction listening to her songs performed but is upset her dream of solo success by no means materialised.
She tells Cialcan: “Mine is considered one of the finest jobs in the world but being thanked is a uncommon factor. Singers usually intentionally perpetuate the fantasy that they wrote a track. I’ve received used to it and as an alternative, smile to myself every time I hear a track I wrote enjoying in the grocery retailer.
“I benefit from the writing, I would have carried out it whether or not I made a residing from it or not, so in some ways I’m fortunate.”


Certainly, Holly tells Cialcan she all the time most well-liked “the doing and the journey” to “the closing vacation spot” — and it’s clear her journey is in contrast to every other.
- Holly Knight’s e book, I Am The Warrior: My Loopy Life Writing The Hits and Rocking the MTV Eighties, is revealed by Permuted Press and accessible to pre-order for £19.99.